An Exhibit of Modern Prints at the Chrysler Museum

General / People / Places / August 22, 2022

A selection of 45 modern prints by postwar artists is now on exhibit at the Chrysler Museum in Norfolk, Va.

Lasting Impressions: Prints from the Collection of David R. and Susan S. Goode will be on view through November 6. This exhibition was announced earlier this year following the Goode’s $2.5 million donation to the Museum to establish the Goode Works on Paper Center – and a group of 100 photographs by O. Winston Link, which will be added to the Chrysler collection over the next three years. 

The exhibition on display now includes works by Hans Hofmann, Robert Motherwell, Roy Lichtenstein, Helen Frankenthaler, Jasper Johns, Marcel Duchamp, Man Ray, Kara Walker and William H. Johnson.

“The Johnson print is very important,” says Lloyd DeWitt, chief curator at the Chrysler. “It’s all quite varied – there are Hockney photocopies, monoprints on plexiglass slabs, lithographs, silkscreens and etchings, and a Whistler that belonged to David’s mother.”

Guided by a New York dealer at Associated American Artists, the Goodes were buying exemplary prints by great artists at affordable rates. “Their dealer in New York opened up the world of prints to them,” he says.

The dealers were guiding them, to educate them that people like Motherwell were great printmakers. “All the efforts he put into his paintings also went into his prints,” he says. “The scale and quality resonate with the prints – the artists were very ambitious with their printmaking.”

The artists were creating advertising posters and books, bringing poets and writers together in their work. “There’s a basic democracy to it all – they were recognized, added more work, and made it available to a broad audience with multiple, very large editions,” he says. “It’s museum-quality work.”

The Goodes’ entire collection of prints numbers about 150, and DeWitt is hopeful that they’ll find a permanent home at the Chrysler. “There’s no commitment yet but they’re continually thinking about the future,” he says.

After all, the Chrysler’s new study center for works on paper, designed by Norfolk’s  Work Program Architects, will include a dedicated space to house a growing collection of more than 10,000 photographs, drawings, prints and other works on paper.

“It’s a dedicated effort to introduce people to the power of prints as a great medium,” he says. “Walter Chrysler didn’t collect prints, so now we’re trying to get people excited – and our director is enthusiastic about prints.”

They’ll break ground on the new study center this fall.

For more, go here.

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Michael Welton
I write about architecture, art, and design for national and international publications. I am the author of "Drawing from Practice: Architects and the Meaning of Freehand" (Routledge, 2015), and the former architecture critic for the News & Observer in Raleigh, N.C.




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