A Danish Pavilion by Bjarke Ingels Group at Shanghai Expo

General / People / Places / May 3, 2010

The Danish Pavilion at Shanghai’s World Expo 2010 is a metaphor for the Danish urban lifestyle.

“You can ride the city bike, take a swim in the harbor bath, and see the real Little Mermaid,” Bjarke Ingels, founder of the design group that bears his name, says of his perforated, white-painted steel structure.

The pavilion is designed to allow visitors to experience some of Copenhagen’s most popular attractions – the city bike, the harbor bath, the playground settings, a picnic on the roof garden, and the authentic Han Christian Andersen’s Little Mermaid.

It’s designed as a traffic loop created by the motion of city bikes and pedestrians tied in a knot. More than 300 free city bikes, located upon the roofscape, offer visitors the chance to experience the Danish urban lifestyle. In the evening, the façade becomes a sequenced instrument of interactive light illuminating the passers-by.

The exhibition can be experienced in two speeds – as a calm stroll with time to absorb the surroundings and as a dynamic bicycle trip, where the city and city life rush past. Like a Danish city, the pavilion is best experienced on foot and by bike. The pavilion’s theme of Welfairytales (Welfare + Fairytales) seeks to re-launches the bicycle in Shanghai as a symbol of lifestyle and sustainable urban development. When the Expo closes, the pavilion can be moved to another site in Shanghai and could function as a transfer point for Shanghai’s new city bikes.

” If sustainable designs are to become competitive, it cannot be for purely moral or political reasons – they have to be more attractive and desirable than the non-sustainable alternative,” Ingels says. “With the Danish Pavilion we have attempted to consolidate a handful of real experiences of how a sustainable city – such as Copenhagen – can in fact increase the quality of life.”   

As they have, the world has been watching.

For more, go here.

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Michael Welton
I write about architecture, art, and design for national and international publications. I am the author of "Drawing from Practice: Architects and the Meaning of Freehand" (Routledge, 2015), and the former architecture critic for the News & Observer in Raleigh, N.C.




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