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Changing the Way We Look at Design

Changing the Way We Look at Design

Julie Taraska is a globe-trotting design journalist with a good eye.  Her partner in Product Placement, the Manhattan-based lecture and exhibit initiative, is design publicist Kimberly Oliver.  Between the two of them, they’re changing the way American designers look at the world. “I go to Milan, to Amsterdam, to Finland and Stockholm, looking at new [...]

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Hirosuke Kitamura at 1500 Gallery

Hirosuke Kitamura at 1500 Gallery

Back in 1995, Hirosuke Kitamura came to a fork in the road of his professional career. “I wanted to learn either hair design or photography,” the Japanese/Brazilian artist says.  “I wanted to do something special, something high-tech.” He chose photography – in Brazil.   And on Feb. 1, his work will be on display at 1500 Gallery [...]

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Norman Foster: Master of the Craft

Carlos Carcas is an independent filmmaker based in Madrid. Born in Miami, Florida in 1968, he began working in film production after graduating from Boston Universityʼs College of Communication. In 2009, he co-directed “How Much Does Your Building Weigh, Mr. Foster?” about the life and work of British architect Norman Foster, which premiered in February [...]

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A Cautionary Tale about Wind Power

Filmmaker Laura Israel isn’t tilting at windmills – but she does want to cast a critical eye in their direction. And she’s done that with “Windfall” – her first documentary film, art directed within an inch of its life – and one that delivers a profound message: Look before you leap into wind power. “People who are [...]

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In Asheville, a Week of Arts & Crafts

In Asheville, a Week of Arts & Crafts

Perhaps no Southern city ever found its fate so entwined with the Arts & Crafts movement as did Asheville, N.C. Its moderate summers appealed to tourists from the South and its short winters were a balm to their counterparts up North. A visiting George Vanderbilt liked the area so much that he bought 125,000 untamed nearby [...]

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Jerry Uelsmann, Father of Photoshop

Jerry Uelsmann, Father of Photoshop

Truly one of the giants in post-World War II experimental photography, Jerry Uelsmann perfected the art of combining negatives in the darkroom to create new compositions. “He took a different tack – that the negative didn’t have to be the departure point,” says Phillip Prodger, exhibition curator and PEM’s curator of photography.  He’s currently pulling together [...]

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Daryl Thetford’s Jungian Landscape

Daryl Thetford’s Jungian Landscape

Chattanooga-based artist Daryl Thetford’s work has evolved in the past six years, from photographs of vintage southern Americana like juke joints, Mississippi Delta scenes and roadside attractions, into mixed media informed by his own language of signs and billboards. It’s as though he’s still gathering information as he’s photographing the grit and rust of urban [...]

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A Dog House by Frank Lloyd Wright

A Dog House by Frank Lloyd Wright

Jim Berger was 12 years old in 1956 when he put pencil to paper, wrote to Frank Lloyd Wright and asked a favor. He had a paper route, he said, and hoped that the architect might design for Eddie, his black Lab, a house “which would be easy to build and would go with our house.”  His father had commissioned Wright [...]

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In Los Angeles, Celebrating Wearables

In Los Angeles, Celebrating Wearables

If clothing was indeed the first architecture, then a spring fundraiser for the Architecture + Design Museum (A+D) on Wilshire Boulevard in Los Angeles promises to celebrate its 21st-century evolution. From 7:00 to 11:00 PM on Saturday, March 10, a salon-style runway event at A+D will feature wearable artworks provided by top talent from the realms [...]

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M.J. Sharp and the Power of Night

M.J. Sharp and the Power of Night

From the 1920s until the mid-’60s, the nearly indestructible Speed Graphic was the camera of choice for photojournalists around the world. Now, photographer M. J. Sharp has found a new application for the long-retired camera once produced en masse by Graphlex in Rochester, N.Y. She makes C-prints from night-time exposures that range from four minutes [...]

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