Page 103 | Architects + Artisans

There’s a cash prize for the winners, to be sure, but the finest part is an all-expense-paid, five-day excursion to September’s Cersaie tile show in Bologna. Italy. It’s the world’s biggest, best and most fun.

February 6, 2019 by Mike Welton

Today’s the Deadline to Enter the 2019 Ceramics of Italy Competition

Its Premium Collection is high-end, meticulously crafted and engineered collection of bath fittings produced in a dedicated facility within the company’s 700,000 square-foot state-of-the-art complex in Buenos Aires.

February 4, 2019 by Mike Welton

High-End Faucetry from Franz Viegener

Reaching the entrance of the villa on a quiet side street off the main road, I approached a non-descript service building of ochre colored brick, feeling disappointed.

February 2, 2019 by Mike Welton

Villa Cavrois by Robert Mallet-Stevens

But those designed by Joseph Eichler formed the lion’s share. The firm has successfully updated 138 of them.

January 30, 2019 by Mike Welton

138 Eichler Remodels – and Counting

To be more precise, he’s been shooting pics since May 4, 1970.

January 28, 2019 by Mike Welton

In NOLA, Louis Sahuc’s Romantic Journalism

Or, as it’s known at Old Hickory Furniture, “glamping.”

January 25, 2019 by Mike Welton

Camping for the Well-Heeled Sophisticate

The result? Oval-shaped, hand-hammered brass tiles that can be arranged and overlaid in patterns for walls in offices, restaurants or homes.

January 23, 2019 by Mike Welton

Tiles that Shimmer like a Mermaid’s Scales

The Shed is a think-tank collaboration between the School of Design and the School of Digital Media.

January 21, 2019 by Mike Welton

At SCAD, the Shed and Herstand Hall

He started in on its eight acres in 2005 and continues to fine-tune it all today.

January 18, 2019 by Mike Welton

InSitu Garden by Land Morphology

“There are so many positions you can take,” he says. “But it pays off as a business model if my clients are part of the process.”

January 16, 2019 by Mike Welton

Richard Landry: ‘Modern to Classic II’