An Asheville Bauhaus Legacy Expands

General / People / Places / August 22, 2016

A 2014 grant got the ball rolling. Then a museum opened at 56 Broadway in 2015.

Now the Black Mountain College Museum + Arts Center (BMCM + AC) is expanding across the street in hip, tiny but growing Asheville, N.C. – with an architectural installation.

It’s riding the crest of a resurgence of interest in the college where Josef and Anni Albers once taught, where Walter Gropius once designed buildings and where Buckminster Fuller and Merce Cunningham once experimented with geodesic domes and choreography.

The expansion was led by artist and designer Randy Shull and J. Richard Gruber, PhD, director of the newly launched Architecture + Design Institute (A+D@BMCM+AC). Organized by Gruber, Randy Shull/Wide Open: Architecture and Design at Black Mountain College Museum + Arts Center examines the enduring legacy of Black Mountain College from1933 to 1957.

“It’s taking patrons through the experience he went through in designing the two museum spaces in downtown Asheville, with models sketches and even building permits,” says Jeff Arnal, executive director at BMCM + AC. “Within all that are photos and other evidence that Randy picked up – elements from Albers and Black Mountain College and even back to the Bauhaus – artifacts and evidence of the process.”

The exhibition is divided into three parts in the newly renovated 1,600 square-foot storefront in downtown Asheville. One wall is dedicated to the design of 69 Broadway, with actual architectural drawings – along with Gropius-proposed plans for Black Mountain College. “There are studies of the building being built by students and faculty in the 1940s,” he says.

A huge photo of the school’s former pottery barn, in large format and on a moveable wall serves as a centerpiece and a divider. “You walk in and feel like you’re almost there,” he says.

Finally, there are the murals of 56 Broadway, 69 Broadway and other examples of Shull’s work. “He was able to find a way to print on plywood the design elements – the architectural information is printed on the wood itself,” he says.

And that’s a tribute to the innovative spirit of Black Mountain College.

The exhibition runs through Sept. 3.

For more, go here.

Photography by David Dietrich

 

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Michael Welton
I write about architecture, art, and design for national and international publications. I am the author of "Drawing from Practice: Architects and the Meaning of Freehand" (Routledge, 2015), and the former architecture critic for the News & Observer in Raleigh, N.C.




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