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	<title>Architects and Artisans &#187; House 6</title>
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	<description>Thoughtful Design for a Sustainable World</description>
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		<title>Plunging into Concrete at House 6</title>
		<link>http://architectsandartisans.com/index.php/2010/01/plunging-into-concrete-at-house-6/</link>
		<comments>http://architectsandartisans.com/index.php/2010/01/plunging-into-concrete-at-house-6/#comments</comments>
		<pubDate>Wed, 20 Jan 2010 21:36:28 +0000</pubDate>
		<dc:creator>Architects + Artisans</dc:creator>
				<category><![CDATA[Places]]></category>
		<category><![CDATA[cheng design]]></category>
		<category><![CDATA[concrete]]></category>
		<category><![CDATA[House 6]]></category>

		<guid isPermaLink="false">http://architectsandartisans.com/?p=463</guid>
		<description><![CDATA[House 6 in Menlo Park, Calif. is a tactile excursion into the sensuous appeal of concrete. At the heart of the 4,000 square foot home is a hybrid core of concrete and wood framing. While some of its walls are rough, board-formed concrete, others are hyper-smooth and seemingly polished. Still others are articulated with bands [...]]]></description>
			<content:encoded><![CDATA[<p>House 6 in Menlo Park, Calif. is a tactile excursion into the sensuous appeal of concrete.</p>
<p>At the heart of the 4,000 square foot home is a hybrid core of concrete and wood framing. While some of its walls are rough, board-formed concrete, others are hyper-smooth and seemingly polished. Still others are articulated with bands of exposed aggregate and color.</p>
<p>All form a theatrical backdrop for the furniture, objects and fixtures inside.</p>
<p>Designer Fu-Tung Cheng said his concept was to create a building that, while minimalist, would convey design and craft by “playing” with and controlling the mix of the concrete walls as they were being poured.</p>
<p>“I plunged my hands into the concrete and the re-bar,” he said. “I was stuffing pigment into the forms. I literally bled while it was pouring – my blood is in that house.”</p>
<p>He used a formwork-reducing slip-cast technique to produce the finished concrete. Casting in single-height, 4-foot “lifts,” one pour on top of another, enabled Cheng to manipulate the material more easily than larger “lifts.”</p>
<p>“It’s layered much like a rammed-earth house,” he said. “When the cement is pouring down, you have to reach down in order to get those striations, those yellow or blue bands of concrete.&#8221;</p>
<p>He wanted a home that was nothing close to a veneer, he said. He wanted as few compromises as possible, decrying new construction that&#8217;s no more than a series of layers – of sheetrock, wires, pipes and stucco. “This is not a façade,” he said. “This is a different look, a different feel and a different structure. When you create something like that, it means you can wrap some delicacies around it.”</p>
<p>That means, for example, polycarbonate translucent panels and light fixtures with twigs inserted by David Wards of a company called Sticks &amp; Stones.</p>
<p>“We designed the light fixtures using his twigs,” Cheng said. “It naturalizes and humanizes the house – it gives it life. I want your nerve endings rubbing off these very friendly surfaces &#8211; there’s a certain tactile quality that I like people to feel.”</p>
<p>For more on Cheng Design, go to <a href="http://www.chengdesign.com">www.chengdesign.com</a>. For more on Matthew Millman Photography, go to <a href="http://www.matthewmillman.com">www.matthewmillman.com</a>. For more on David Wards and Sticks &amp; Stones, go to <a href="http://www.sticks-n-stones.net">www.sticks-n-stones.net</a> [[Show as slideshow]] Photography by Matthew Millman</p>
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